![]() ![]() Hello, I am having a really odd issue with LUTS and Multigroup. Eternal gratitude and a spot in the afterlife resort of your choice would be yours! if anyone has any idea on how to get this to work. ![]() But it's going to be 7-9 selects sequences of about 1 hour, so I'd like to avoid that.ĪutoSync works fine, but that only helps with the source clips, not the sequence. The camera files and the WAVs have identical TCs, so as a last resort I could manually recut them. Could this have something to do with it? Why is that anyway? Something I noticed was that the duration of the linked WAVs is one frame off the AAF's WAVs (see image above). Tried one obvious thing: Batch Editing the linked WAVs to make the clip names identical to the AAF clip names, then relinking via Name. The AAF and the source files (camera footage as MXF, double system sound as WAV) are delivered via Dropbox. It's simple selects sequences, so no fancy effects or anything. I'm trying to get several Premiere sequences into Media Composer via AAF. MC and Resolve are unlikely to have to run simultaneously. ![]() If it runs this should yield better performance than a single RTX A6000 OR create a setup with dual bridged RTX A5000 (NVLink) and hope even more MC won't get confused. Hope MC won't get confused and will still pick the Quadro as its own GPU Would you agree? There are people in this forum who seem to use Geforce GPUs successfully As this is a production environment I think I would stick to this general rule and would not experiment with a single Geforce. So - I could just buy/build a system with a RTXA6000 but considering this one costs about 4.000€ AND it will still be a lamer choice for Resolve than the Geforce 4090 I am thinking of other solutions.Ĭonsider a workstation with enough slots/lanes and a decent CPU (28+ cores). I plan to create a new workstation which should be capable of rather usual Avid (offline) projects PLUS it shall be a powerhorse for mastering and grading via Resolve. ![]()
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